You are here: Works Home PageVisit the Virtual Gallery
   
  Piero Manzoni ArchiveBiographyYou are here: WorksExhibitionsResources
 
Achrome

Search the site »

Help  Need help?
Change language
Newsletter Join the
PIEROMANZONI.ORG NEWSLETTER
to be kept up to date
Voice Your Opinion

VOICE YOUR OPINION!
Vote in our quickly
Website Opinion Poll

Art Competition
Banners
You are here: Home> Works> Lines SiteMap  Print Version  PDF  Send to a friend
  Map  Print PDF Send

Manzoni's Lines

The hidden work

Manzoni's way of working presupposes the disappearance of the artwork. It is the case of Manzoni's Lines ("Linee"), ink traces on paper rolls of varying length (ranging from 1,76 to 7,200 metres) realized between 1959 and 1961.
The work consists of a single line drawing on paper, rolled up and placed in a black cardboard cylinder, labelled and signed by the artist. Manzoni reiterated several times that the work should only be sold and exhibited contained in the sealed tube. Therefore the spectator cannot see the work of art, deprived of its visibility. The Line is sealed in the container and - metaphorically - is sealed in its own closure (a closure analogue to the tautological self-sufficiency of the Achrome).
The existence of the Line, evoked through the label stuck on the box (guaranteeing the author, the date of execution and the exact length), can be visualised only in the mind's eye.

The disappearance of the artwork as literal object is clearly displayed in the Line of Infinite Length ("Linea di lunghezza infinita"): the container, a solid wooden cylinder resembling the Lines' ordinary cardboard tubes, seals and hides an ideal line existing only as a metaphysical speculation.

The "Line m.7,200" and the "Socle du Monde"

On July 4 1960, between 4 and 6.55 pm, Piero Manzoni executed a 7,200 metres long Line at a newspaper mill in Herning (Denmark).
The Line, enclosed in a cylindrical lead container and interred in the Herning Kunstmuseum's gardens, should had been the first of a series of extra-long Lines placed in each of the principal cities of the world, in order to equal, with the sum of their length, the earth's circumference.
In addition, Manzoni proposed a white line as long as the Greenwich meridian.

The large scale of Manzoni's latest projects (as the Placentarium, an architectural Body of Air) is a logical consequence of the withdrawing of the artwork as an object that can be sold in art galleries or prized in museums.
The full achievement of this concept is the Base of the World ("Socle du monde, socle magique n.3 de Piero Manzoni, 1961, Hommage Galileo") constructed in 1961 at Herning.
Closer to the Magic Bases (pedestals that transform people standing on them into works of art), the "Socle du Monde" is upside down, holding on its bearing surface the entire world. The world itself stands on the plinth and everything - animal, vegetal or mineral - is changed into a work of art.

Top Top Print Version Print Version Lines.pdfSave as PDF Send to a Friend  Send to a Friend
 
 
   HELP   |    SITE MAP   |   CONTACT US   |   NEWSLETTER   |   POLLS    |   DOWNLOADS    |  GREETINGS    |  GALLERY    |   CREDITS   
© 2003-17 Fondazione Piero Manzoni - Versión en español Versión en español - Versione in italiano Versione in italiano - Web Design & Content Management by Stefano Cappelli