The story of the Foundation
This section briefly examines the episodes after 1963 that led to the creation of the Archivio Opera Piero Manzoni in 1992 (transformed into the Foundation in 2008) and its principal activities to date.
... ... 2004-2021
2004 THIRD CATALOGUE
Cover of the box-set Piero Manzoni. Catalogo generale, edited by G. Celant, Skira, Geneva-Milan, 2004
Skira published the third catalogue of the work of Piero Manzoni.continue...
2000 ANOTHER SOLO SHOW IN MILAN
Cover of the exhibition catalogue Piero Manzoni. Consumazione dell’arte dinamica del pubblico divorare l’arte. Mostra dossier 8, Museo della Permanente, Milan, 2000
Giorgio Zanchetti curated the exhibition Piero Manzoni. Consumazione dell’arte / dinamica del pubblico / divorare l’arte at the Museo della Permanente.continue...
1997-1998 PIERO MANZONI IN MILAN AND LONDON
Palazzo Reale hosted the exhibition Piero Manzoni. Milano et mitologia, while the following year another solo show was held at the Serpentine Gallery in London.
Work began on the new general catalogue edited by Germano Celant.continue...
1994 GROUP SHOW IN THE UNITED STATES, ITALY AND GERMANY
Cover of the travelling exhibition catalogue The Italian Metamorphosis, 1943-1968, Guggenheim Museum, New York, 1994
Piero Manzoni was one of the artists featured in the exhibition at the Solomon R. Guggenheim Museum in New York, The Italian Metamorphosis, 1943-1968.continue...
1992 BIRTH OF THE FOUNDATION
In 1992, Piero Manzoni’s four siblings (Maria Melania, Elena, Giacomo and Giuseppe) founded the Archivio Opera Piero Manzoni, a non-profit association.
1991 THE CATALOGUE RAISONNÉ
Cover of the first catalogue raisonné Piero Manzoni. Catalogue raisonné, Edizioni di Vanni Scheiwiller, Milan, 1991
The publisher Vanni Scheiwiller issued the first catalogue raisonné of the work of Piero Manzoni edited by Freddy Battino and Luca Palazzoli.continue...
1991 SOLO TRAVELLING SHOW IN PARIS, HERNING, MADRID AND RIVOLI
Cover of the travelling exhibition catalogue Piero Manzoni, Musée d’Art Moderne de la Ville de Paris, Paris, 1991
A new solo show curated by Germano Celant was held in Paris before moving to Herning (Denmark), Madrid and Rivoli.continue...
1981-1991 NEW FORGERIES ON THE MARKET
Cover of the book Piero Manzoni, Associazione Amici di Piero Manzoni (Piero Manzoni’s friends Association), Milan
Partially as a consequence of the continued rise in the economic values of Manzoni’s work, the Eighties unfortunately saw a parallel growth in forgeries, a trend that had already been noted in the late Sixties.
1977-1981 MANZONI AT THE POMPIDOU
Cover of the exhibition catalogue Identité italienne: l’art en Italie depuis 1959, Centre Georges Pompidou, Paris, 1981
Manzoni was among the artists featured in two group shows: at the Galleria d’Arte Moderna in Turin and at the Kunsthaus in Zürich. He participated in the group show Identité italienne: l’art en Italie depuis 1959, curated by Germano Celant at the Centre Georges Pompidou in Paris.continue...
1975 THE FIRST GENERAL CATALOGUE
The first general catalogue of Piero Manzoni, edited by Germano Celant, was published by Prearo Editore.continue...
1974 AN ARTICLE ON THE ART MARKET
On 9 November 1974, the daily newspaper Bresciaoggi published the list drawn up in Germany of the world’s 100 most important painters. Manzoni was the second Italian artist.continue...
1974 PIERO MANZONI AT THE TATE
Cover of the exhibition catalogue Piero Manzoni. Paintings, Reliefs & Objects, The TATE Gallery, London, 1974
London’s Tate Gallery hosted the exhibition Piero Manzoni. Paintings, Reliefs & Objects.continue...
1973 A SOLO SHOW IN GERMANY
Cover of the exhibition catalogue Piero Manzoni 1933-1963, Städtisches Galerie im Lenbachhaus, Munich, 1973
Another solo show was held at the Kunsthalle Tübingen before moving to the Städtisches Galerie im Lenbachhaus in Munich.continue...
1972-1973 PIERO MANZONI IN THE UNITED STATES
Manzoni’s first solo show in the United States was staged in New York, Houston, Seattle and Chicago.continue...
1972 WORK BEGAN ON THE CATALOGUE AND THE FIRST FAKE WORKS BEGAN TO CIRCULATE
Work began on the first general catalogue edited by Germano Celant, in part as a response to the attempts to introduce the first fake works.continue...
1971 ROME AND CONTROVERSY
A major retrospective at the Galleria Nazionale d’Arte Moderna in Rome, strongly promoted by the director Palma Bucarelli, in collaboration with Germano Celant, triggered national controversy over the exhibition of the tins of Artist’s Shit.continue...
1971 SOLO SHOWS IN CREMA AND FERRARA
A solo show was organized in two Italian institutions, the Civic Museum of Crema and Palazzo dei Diamanti in Ferrara.continue...
1970 THE “RICERCA CONTEMPORANEA” SERIES
Covers of the four books Ricerca Contemporanea (Contemporary Research), Editore Vanni Scheiwiller, 1970-75
The publisher Vanni Scheiwiller issued the series Ricerca Contemporanea (Contemporary Research) edited by Valeria Manzoni.continue...
1969-1970 A SOLO SHOW IN NORTHERN EUROPE
Over the course of these two years the first solo travelling show was held in international institutions in Eindhoven, Mönchengladbach, Hanover and Amsterdam.continue...
1968-1969 A DONATION TO THE GNAM
At the request of Palma Bucarelli, between 1968 and 1969, Valeria Manzoni donated four Achromes to the Galleria Nazionale d’Arte Moderna in Rome.continue...
1967 CELANT AND MANZONI
The publisher Vanni Scheiwiller issued a first monograph on Piero Manzoni edited by Uliano Lucas.continue...
The first essay in Italian on the artist by Germano Celant was published under the title “C’è solo da essere”.
1964 THE FIRST EXHIBITIONS AFTER PIERO’S DEATH
The artist’s first solo shows following his death were held in Brussels and Milan, while his work also featured in various group shows including Pittura a Milano dal 1945 al 1964 at Milan’s Palazzo Reale.continue...